Rays OF Fernando Perez is a featured contributor in the September issue of Poetry magazine.

Perez, a graduate of Columbia University, has also written for the New York Times, milb.com and the Rays program among other publications.

Here is the first paragraph of his work from the September 2009 edition, and you can click here to read the full entry:

Para Rumbiar

I write from Caracas, the murder capital of the world, where I’ve been employed by the Leones to score runs and prevent balls from falling in the outfield. At the ankles of the Ávila Mountain amongst a patch of dusky high-rises, the downtown grounds of el Estadio Universitario packed beyond capacity are ripe for a full-bodied poem. A mere pitching change is an occasion “para rumbiar,” and the purse-lipped riot squad is always on the move with their spanking machetes swinging from their hips. The game isn’t paced necessarily by innings or score. It’s marked by the pulsating bass drums of the samba band that trail bright, scantily-clad, head-dressed goddesses strutting about the mezzanine. The young fireworks crew stand mere feet from flares that don’t always set out vertically, sometimes landing in the outfield still aflame. “The wave” includes heaving drinks into the sky.

And here is the press release from the Poetry Foundation:

The Poetry Foundation, publisher of Poetry magazine, is pleased to announce that Tampa Bay Rays outfielder Fernando Perez is featured in the September issue of Poetry magazine. As a contributor to Poetry, Perez joins the varied ranks of non-poets—including singer Neko Case, actor Alfred Molina, psychiatry professor Kay Redfield Jamison, and Vanity Fair columnist Christopher Hitchens—who have recently written for the magazine about the place of poetry in their lives.

Perez is a graduate of Columbia University in New York City, where he received a degree in American studies and completed the creative writing program. He joined the Tampa Bay Rays in 2008 and was one of six Ivy Leaguers to be appointed to the roster of Major League Baseball teams in the 2009 season. A longtime reader of contemporary poetry, Perez has named Robert Creeley and John Ashbery among his favorite poets.

Perez says he turns to poetry when he’s “after displacement, contrast” from the game of baseball. “The thick wilderness,” he continues, “of, say, late Ashbery can wrangle with the narrowness of competition.”

Created with the belief that not only should poetry have a wider audience, but the range of people writing about poetry should be diverse, Poetry’s occasional special feature The View from Here this month includes short essays from Brenda Starr writer Mary Schmich and writer William T. Vollmann. Vollmann, like Perez, reminds readers of poetry’s role in opening minds.

With their distinct backgrounds, contributors to this month’s issue of Poetry also connect to poetry in individual ways. They may see poetry as an aid in professional life, as chief judge of the U.S. Court of Appeals for the Second Circuit Dennis Jacobs states: “My long interest in poetry has yielded a respect for the language that people should employ when they undertake to speak the law.” Or they may regard it, as music and comic book critic Douglas Wolk says, “as a sort of chisel to break my brain open.” Alternatively, poetry can be greeted as a departure from the daily grind.

Poetry’s September issue also includes new poems by Samuel Menashe, Belle Randall, Don Paterson, Lucia Perillo, Atsuro Riley, Desirée Alvarez, Sandra McPherson, Spencer Reece, Malachi Black, and Dan Beachy-Quick, as well as prose and criticism by Ange Mlinko and Michael Hofmann.