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Spike Lee says racial divide in 'Do the Right Thing' remains, 20 years later

“White people still ask me why Mookie threw the can through the window,” director Spike Lee says.

Associated Press

“White people still ask me why Mookie threw the can through the window,” director Spike Lee says.


Twenty years later, the trash can is still crashing through America's window.

At the climax of Spike Lee's 1989 drama Do the Right Thing, the eternal battle between love and hate teeters on a razor's edge. The young black man Radio Raheem has been choked to death by white police after a fight with a Brooklyn pizzeria owner. A seething crowd gathers in front of the shop.

Lee's character, Mookie, a black pizza deliveryman, stands between the crowd and the shop. He's shoulder-to-shoulder with Sal, the shop's Italian owner. They exchange looks of confusion, betrayal and regret.

The crowd stares at Mookie. He's on the wrong side. Mookie moves over to his brothers, rubs his face, wrestling with the weight of the moment. Then he decides.

"Hate!" Mookie screams as he hurls the metal can through the pizzeria's plate glass window. The dam bursts. The mob destroys the shop in a frenzy that was both inevitable and completely avoidable.

Much has changed since Do the Right Thing announced Lee's special gifts to the world. The police choke hold that killed Radio Raheem — a fictionalization of the real death of Michael Stewart in New York City — has long been outlawed. Life on the ravaged Brooklyn block where Lee filmed the movie has improved. Ronald Reagan has given way to Barack Obama.

But for every measure of undeniable progress, Do the Right Thing also points to the divides that remain.

In May, a black New York City undercover cop who was running after a suspect with his gun drawn was shot to death by a white officer. Boarded-up buildings, broken windows and jobless young men still populate that Brooklyn block. And Lee, who wrote, produced and directed the film, insists the racial disconnect at its heart still exists.

"White people still ask me why Mookie threw the can through the window," Lee said in an interview. "Twenty years later, they're still asking me that.

"No black person ever, in 20 years, no person of color has ever asked me why."

A powerful message

That question is what made Do the Right Thing so explosive. Some writers speculated, erroneously, that it would incite riots.

"People were fearful of the backlash," said Rosie Pérez, who played Mookie's Puerto Rican girlfriend, Tina. "A lot of things happening in the movie were happening in real life. People were afraid when the truth, although a little exaggerated, was put up on the screen for everyone to see."

Meanwhile, Lee got rave reviews from influential critics. Roger Ebert cried after watching it at the Cannes Film Festival, where it lost to Sex, Lies, and Videotape.

Audiences definitely were not prepared.

Most serious films about race, like In the Heat of the Night, To Kill a Mockingbird and The Defiant Ones, ended with understanding or even brotherhood. And for every ambitious movie like Watermelon Man or Black Like Me, there were a half-dozen violent, sexy ghetto shoot-em-ups — "blaxploitation" flicks.

Lee had something new to say. "In just three feature films," critic Gene Siskel wrote then, "Spike Lee has given us more genuine and varied images of black people than in the last 20 years of American movies put together."

Today, Ebert says Do the Right Thing should have won the Oscar for best picture. "It was so honest about the way people really feel," he said via e-mail. "No hypocrisy. It generated grief and left us with a central question of American society."

The best picture of 1989, according to the Academy of Motion Picture Arts and Sciences: Driving Miss Daisy, about the friendship between a white Atlanta woman and her black chauffeur.

It ends on a Thanksgiving in the 1960s, with the chauffeur feeding Miss Daisy a piece of pie.

Different points of view

The trash can almost stayed on the curb. Paramount offered Lee the biggest budget for his film, but executives there wanted to change the ending.

"They just couldn't understand why Mookie throws the trash can through Sal's window," said Hollywood veteran Tom Pollock, who gave the film the green light when he was chairman of Universal Pictures. "Quite honestly, I didn't understand either, until it was explained to me by Spike."

Pollock agreed to give Lee creative control. After the film was done, Pollock had only one problem. At the time, the movie ended the morning after the riot, when Mookie visits Sal at his burned-out shop and demands his $250 salary for the week.

"The movie offered no hope whatsoever at that time," Pollock said. "All I said at the time was, 'This is a really powerful film, but we can't go out of here being totally depressed that there is no future for this country in terms of race.' "

Lee responded by adding two quotes at the end. The first, from Martin Luther King Jr., preached nonviolence: "The old law of an eye for an eye leaves everybody blind." The second, from Malcolm X, advocated self-defense against "bad people" who block racial progress: "I don't even call it violence when it's self-defense, I call it intelligence."

"It got misconstrued that it had to be either Dr. King or Malcolm," Lee said. "It was never meant to be that you had to pick one or the other. These are the two most prominent African-American leaders of the 20th century, and they both wanted the same thing."

The quotes, the trash can, the title of the film — like a painting or a piece of music, they all meant different things to different people. And they still do.

Spike Lee says racial divide in 'Do the Right Thing' remains, 20 years later 07/04/09 [Last modified: Saturday, July 4, 2009 4:30am]
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