W ay back when in '67, George Romero's Night of the Living Dead introduced a new kind of horror movie, more explicit and more intelligent than almost anything the genre had shown before.
Jobsite Theater's production of Night of the Living Dead (adapted for the stage by playwright Lori Allen Ohm) wisely recognizes that the things that shocked us then won't shock us now. Though the stage version is faithful, it's also lighthearted. The story is still compelling, and not without chilling moments.
Basically, the plot involves a group of people — a family and two strangers — who take shelter in a vacant house after a nuclear mishap causes dead people to reawaken and seek out human flesh.
Katrina Stevenson's costumes — mostly those of the legion of undead — are also very cool, and the makeup and other special effects (including blood and guts that are fairly believable but not disgusting) by Danny McCarthy are impeccable.
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