One of the many remarkable things about this cavalcade of comeuppance for sexual abusers and harassers is that itís taking down men who once seemed untouchable to the media in part because they were on the right team: editors and executives at media outlets beloved by progressives, actors and comedians who were the faces of prestige TV shows, Democratic donors.
Having "good" politics, it turns out, isnít the same thing as having good sexual politics. Donating or pontificating on behalf of progressive values doesnít stop men from pressing themselves against unwilling colleagues, or kissing co-workers on the mouth, or taking out their penises in front of aspiring mentees.
The nonpartisan nature of the current moment of reckoning helps explain why the Bill Clinton moment has finally arrived. On Monday, Caitlin Flanagan published an essay in the Atlantic arguing that itís time for liberals to reassess Bill Clintonís moral legacy. On Tuesday, Michelle Goldberg wrote a column in the New York Times titled "I Believe Juanita."
Hindsight is 20/20, and thereís a lot of it happening in 2017. Two decades ago, our first national conversation about President Clintonís behavior toward women ended in a muddled draw. Clinton eventually confessed to two consensual affairs, with Gennifer Flowers and Monica Lewinsky. He was also publicly accused of three cases of serious nonconsensual sexual contact. Paula Jones said he exposed himself to her in a hotel room in the early 1990s, and Kathleen Willey said he groped her in the Oval Office. In 1999, former campaign volunteer Juanita Broaddrick told Dateline NBC that Clinton had raped her in a hotel room in the late 1970s.
Clinton and his team distracted and dissembled through all of those accusations, though to what extent we may never know. By the end of the 1990s, it was clear to just about everyone that Clinton was not a good husband, but we never did agree on whether he was a good man. Progressives and even many feminists seemed happy to defend the countryís most important Democrat.
In a 1998 column in the New York Times that Flanagan revived in her Atlantic essay this week, Gloria Steinem brushed aside what Clinton allegedly did to Willey as nothing more than "a gross, dumb and reckless pass," at worst. Jones, too, was the victim of nothing more than "a clumsy sexual pass." Steinem brought up the fact that Willey sold her story to a book publisher, and then magnanimously allowed that she needed the money. The Steinem column "slut-shamed, victim-blamed, and age-shamed," Flanagan wrote.
This was partly a matter of Democrats circling the wagons in response to Republican attacks. But there was something else going on, too. It had only been a few years since Anita Hill introduced the term "sexual harassment" to the American vocabulary. It wasnít yet widely understood that a woman doesnít need to be a "perfect victim" to have been abused.
Patterns of abuse and harassment remained unfamiliar to those who hadnít experienced it. Stories like Broaddrickís still seemed shady: She went up to his hotel room voluntarily! She didnít scream! Broaddrick herself seems to have thought this way for a long time. "I let a man in my room and I had to take my lumps," she said in a 1999 interview, explaining why she waited so long to tell her story. "It was a horrible, horrible experience and I just wanted it to go away."
One of the many gifts that the "Weinstein moment," as it has been ickily branded, has given us is a shared critical apparatus for assessing claims like this. Broaddrickís account in particular now seems perfectly credible. Five people have said she told them about the assault soon after it occurred. She says Clinton invited her to meet at a hotel coffee shop, and then at the last minute suggested they go up to her room instead because the lobby was crowded with reporters. (Many of Weinsteinís accusers have said he used a similar ploy to get them alone.) Victims fail to scream for many reasons, including self-protection and shock.
About six months before Bill Cosbyís reputation fell apart in 2014, I bought tickets with some friends to see him perform on stage in a theater in Concord, N.H. Accusations against Cosby had swirled for years, but had never seemed to stick. On the drive to the show, I made some kind of off-hand crack about this. My friend asked me what I meant ó sheíd never heard the allegations ó and I was dismissive. Oh, you know, there are these stories, but I donít really want to know, ha ha ha. We drove on and went to the show.
Iíve thought about that moment over and over this fall. On stage in New Hampshire, Cosby was masterful; he slipped in and out familiar of set-pieces to riff and banter, in complete command of the audience. I laughed for two hours straight. Looking back on that night now, I canít remember what on earth could have been so funny. We should have known better, of course, with Cosby and Clinton and all the other culturally beloved men whose sordid reputations it was convenient to dismiss for so many years. But we were in the dark until we werenít.
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