Anyone feeling giddy after last year's Academy Awards predictions should take a sobering look at this year's choices.
Last year was a breeze, a two-horse race with 12 Years a Slave and Gravity perfectly complementing each other in the grand scheme of Oscar balloting — historical art versus fantasy spectacle. I correctly picked 20 of 24 categories, a personal record over a lifetime of picking.
This year, the ground's the limit.
Seldom over 23 years of covering the Oscars have choices been so difficult in so many categories. Tea leaves are mulched, signposts twisted in puzzling directions.
Not only do we have the early best picture frontrunner (Boyhood) and late-charging contender (Birdman), but a genuine dark horse in American Sniper, which only the academy seemed to admire during awards season. I'm not going out on a limb for Clint Eastwood's war movie, but its evolution into a cultural phenomenon, op-ed talk piece and likely top-grossing 2014 release shouldn't be underestimated.
Nothing much could surprise me when the envelopes are opened Sunday night at Hollywood's Dolby Theatre.
Unless, of course, these predictions all turn out to be right.
American Sniper
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash
Persall's pick: Critics established Boyhood as the early frontrunner until Birdman cut a late swath through key guild awards. Neither is the sort of conventional movie to which the academy typically hands its most coveted statuette — except for the fact that Birdman is all about show biz, and Hollywood loves slapping itself on the back. A win makes it three best picture winners about the movies in the past four years, after The Artist and Argo.
Alejandro G. Inarritu, Birdman or (The Unexpected Virtue of Ignorance)
Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
Wes Anderson, The Grand Budapest Hotel
Morten Tyldum, The Imitation Game
Persall's pick: Richard Linklater's Boyhood endurance or Alejandro G. Inarritu's one-take illusion in Birdman? The answer is crucial since 72 percent of all best picture Oscar winners also claimed this prize. The Directors Guild of America named Inarritu, and only seven times since 1948 has their choice not directed Oscar's best picture. That isn't a trend to pick against.
Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman or (The Unexpected Virtue of Ignorance)
Eddie Redmayne, The Theory of Everything
Persall's pick: Academy voters need to give something big to The Theory of Everything, so why not for the main reason it's here? Eddie Redmayne's impersonation of astrophysicist Stephen Hawking is technically perfect and Oscar-tailored. (But I'd love being wrong and seeing Michael Keaton win.)
Marion Cotillard, Two Days, One Night
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Persall's pick: Her fifth time at the Oscars is the charm for Julianne Moore, whose portrayal of an early-onset Alzheimer's patient in Still Alice is by turns tragic, hopeful and bracingly warm. A perfect chance to honor one of her generation's finest actors.
Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman or (The Unexpected Virtue of Ignorance)
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash
Persall's pick: Every so often a performance leaps off the screen, demanding to be etched on an Oscar before the movie year even ends. That's J.K. Simmons in Whiplash, and it'll be a thrill to see this veteran character actor rewarded.
Patricia Arquette, Boyhood
Laura Dern, Wild
Keira Knightley, The Imitation Game
Emma Stone, Birdman or (The Unexpected Virtue of Ignorance)
Meryl Streep, Into the Woods
Persall's pick: Boyhood co-star Patricia Arquette walked off with every major preceding prize in this category, so there's no sense in predicting an upset now.
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
Foxcatcher
The Grand Budapest Hotel
Nightcrawler
Persall's pick: While real people see themselves in Boyhood, Hollywood types find themselves in the insecure absurdities of Birdman, a key win setting up its late rush of awards.
American Sniper
The Imitation Game
Inherent Vice
The Theory of Everything
Whiplash
Persall's pick: Graham Moore wins for The Imitation Game, a whip-smart adaptation of Alan Turing: The Enigma by Andrew Hodges. Two academy favorites — World War II and gay rights history — in one true story.
Birdman or (The Unexpected Virtue of Ignorance)
The Grand Budapest Hotel
Ida
Mr. Turner
Unbroken
Persall's pick: Emmanuel Lubezki will make it two wins in a row, from last year's outer space in Gravity to the inner spaces of a Broadway theater in Birdman.
The Grand Budapest Hotel
Inherent Vice
Into the Woods
Maleficent
Mr. Turner
Persall's pick: 1930s finery, aristocratic cloaks and quasi-Nazi uniforms make The Grand Budapest Hotel an off-the-rack choice.
American Sniper
Boyhood
The Grand Budapest Hotel
The Imitation Game
Whiplash
Persall's pick: Often a dependable clue to the best picture winner. Whatever Boyhood is after 12 years of noodling, it became that in the editing room.
Foxcatcher
The Grand Budapest Hotel
Guardians of the Galaxy
Persall's pick: Steve Carell's fake nose can't beat the magnificent mustaches and Tilda Swinton's aging in The Grand Budapest Hotel.
The Grand Budapest Hotel
The Imitation Game
Interstellar
Into the Woods
Mr. Turner
Persall's pick: From its grandiose lobby to the cleverly artificial backdrops, The Grand Budapest Hotel was a constant delight.
The Grand Budapest Hotel
The Imitation Game
Interstellar
Mr. Turner
The Theory of Everything
Persall's pick: Composer Alexandre Desplat is an eight-time nominee (twice this year) still without an Oscar. That ends tonight, for his urgently elegant music in The Imitation Game.
Everything Is Awesome from The Lego Movie
Glory from Selma
Grateful from Beyond the Lights
I'm Not Gonna Miss You from Glen Campbell … I'll Be Me
Lost Stars from Begin Again
Persall's pick: Much as I love Glen Campbell, the academy must honor the civil rights anthem Glory, which is apparently the only reason Selma was nominated for best picture.
American Sniper
Birdman or (The Unexpected Virtue of Ignorance)
The Hobbit: The Battle of the Five Armies
Interstellar
Unbroken
Persall's pick: Typically a category for blockbusters, the louder, the better. Interstellar fits that description to a T-minus countdown.
American Sniper
Birdman or (The Unexpected Virtue of Ignorance)
Interstellar
Unbroken
Whiplash
Persall's pick: On the other hand, this category often leans toward musical tones. Just a hunch that voters will be in tempo with Whiplash.
Captain America: The Winter Soldier
Dawn of the Planet of the Apes
Guardians of the Galaxy
Interstellar
X-Men: Days of Future Past
Persall's pick: After Gravity, the outer space of Interstellar didn't impress. Dawn of the Planet of the Apes is a better pick, and a nod to mo-cap master Andy Serkis.
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of the Princess Kaguya
Persall's pick: How to Train Your Dragon 2 joins Toy Story 3 as the only sequels to win this Oscar, while Legoland goes dark in silent protest.
Citizenfour
Finding Vivian Maier
Last Days in Vietnam
The Salt of the Earth
Virunga
Persall's pick: Citizenfour is a lock, the real-time unfolding of Edward Snowden's first meeting with journalists to leak classified U.S. government documents.
Ida (Poland)
Leviathan (Russia)
Tangerines (Estonia)
Timbuktu (Mauritania)
Wild Tales (Argentina)
Persall's pick: Poland's entry Ida is a sweeping tale of a novice nun discovering her Jewish roots. Bonus points for also being nominated for a cinematography Oscar.
The Bigger Picture
The Dam Keeper
Feast
Me and My Moulton
A Single Life
Persall's pick: The safe bet is Disney's Feast, a sentimental story of a man, his dog and their food. Not a high-water mark for the Mouse House but good enough.
Crisis Hotline: Veterans Press 1
Joanna
Our Curse
The Reaper (La Parka)
White Earth
Persall's pick: American Sniper may not win anything tonight but veterans get their due here. The 24-hour angels of Crisis Hotline: Veterans Press 1 turn postwar emotional and financial hell into hope.
Aya
Boogaloo and Graham
Butter Lamp
Parvaneh
The Phone Call
Persall's pick: One way to make a short stand out is hiring name actors. The Phone Call stars Oscar winner Jim Broadbent and nominee Sally Hawkins, making voters pay more than usual attention.
Contact Steve Persall at spersall@tampabay.com or (727) 893-8365. Follow @StevePersall.